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To an actor, the feeling of walking onto a bare stage for the first time and looking out into an empty house is second only to performing to a full one. An empty house holds promise. The seats feel alive with anticipation and are not vacant at all. You can feel them yearn for the ride you’re about to take them on. Your best monologues clamor and lurch to the tip of your tongue only to be stifled by the reverence of the moment. This silence, this anticipation, you imagine placing in the palm of your hand with Iago’s slightest inflection. The silence of ‘I got you’. The silence all actor’s live for. An empty house promises it.
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