How To

Manipulating Polaroid ID-UV pack film

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parachute death ride
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death swings!
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my fake cloud
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hey, its me...Dave!
christmas lights
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Polaroid Land Camera 220

Hand manipulating Polaroid's ID-UV is nothing new. In fact, i first learned of a technique from fellow JPG member SX-70 Manipulator's story "toxic finger painting" where he would manipulate his photographs to the point that they were abstract finger paintings rather than "normal" photographed subjects. After reading that article I instantly fell in love with the idea of manipulating instant pack film. I like to start with photographing subjects that i like and keep them as the focal point rather than having the whole print be an "abstract painting". So my favorite way to photograph is to ride around in the comforts of my car searching for subjects in a spontaneous way. If you are doing this during the winter months the temperature may not be ideal for the proper developement for pack film. I like to have the heater from my car on to use as part of my process. When i finally find something worthy of a print, i wait to pull the print from the camera until i am in my car. I like to carry a smooth cutting board to use as my flat surface for the print to be placed on. Keep in mind that any surface that you use that has some texture may transfer that same texture to your print. After pulling the print from the camera i make sure its flat against the smooth cutting board and begin using my index, middle, and ring finger to apply a gentle even rubbing pressure all over the print. On some of my photographs that i have used this technique on, you can actually see the outlines and pressure points from my fingers. Depending on the effect that i want, i usually give more pressure on the edges to make sure the subject gets less effected than the other areas. This is where you have to be very careful as to not seperate the negative from the print itself. By starting with light pressure and slowly working up the pressure in the areas that i want effected. I keep this motion going in even, long, and random strokes the entire duration of the developing time of the print. Just keep in mind the more pressure you put on the film the more the effect will be. Being that all the ID-UV i use is long expired i have to make sure the temp is nice and warm so the emulsion will be easier to move around. I like to blast my cars heater while i do this and give the unpeeled print some close up time with the vent of the heater for about twenty seconds after i have finished the rubdown process. I find its easier to work with the emulsion at warmer temps and it makes the print easier to seperate from the negative. During the summer i dont have to worry about the print staying warm during development because of the amazing Texas heat. As i shoot during the winter months, this step is essentail for getting that watery look. When it comes to peeling the negative from the print, i do mine very slow. I like to start at one corner and work my way diagonally all the way to the opposite end. From time to time you get blotchy parts of emulsion on the film. I like to press the print and negative back together and give it a couple of circular smoothing out swirls with my fingers to make sure it's not as blotchy. I like to scan my prints with the peel on letting it be well known that this is the real deal pack film print. Not to mention the messy borders are nice and it's more of personal preference. But keep in mind some of these chemicals are very old and are somewhat unpredictable. Not to mention they are toxic and will stain your clothes. So after the peel is done and the print is seperated from the negative, i lay them flat to dry. Make sure they are not in an area where dust may settle on them during the drying stages. The more you do this , the more you will get the desired effect that you want. This came with about a packs worth of film on my learning curve, so be aware that you may need some practice prints before you start getting the feel and desired effect. It's a tricky situation because ID-UV pack film is becoming more and more rare with it being out of production. I love shooting instant pack film. In a sea of Polaroid photographs i like to stand out by hand manipulating mine for that surrealistic and watery feel. I hope this brief "how to" will inspire some of you to break out your old Land Cameras and make some truely original instant print magic! I love the moment right before i peel a negative, the anticipation of what will appear is an awesome feeling. Its this moment of suprise that makes shooting pack film so exciting. And thanks to _______ for inspiring me to try somethig different!

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Hi there!

thought you might like this story!

http://jpgmag.com/stories/14462

Thanks,
—The JPG team

9 responses

  • Brian Betteridge

    Brian Betteridge gave props (1 Jan 2010):

    nice images! this is something i'd like to try one day,. good job!

  • Michele Randell

    Michele Randell said (1 Jan 2010):

    Your story reminded me of using this method in the 70's when I used polaroid cameras...It just came back to me.I remember how it exciting it was to manipulate the surface like finger paintings and wait to see what appeared.

    I had forgotten all about it !

    Interesting story and images that makes me want to revisit this again...

  • Grizz Thumper

    Grizz Thumper (Deleted) gave props (2 Jan 2010):

    awesome!

  • Grizz Thumper

    Grizz Thumper (Deleted) said (2 Jan 2010):

    As this film gets harder and harder to find, this "art form" will not be around anymore, a true sign of our changing times as we go more and more into digital photography.

  • José Mamona

    José Mamona gave props (2 Jan 2010):

    sweetness described,

  • Nicole Gesmondi

    Nicole Gesmondi said (10 Jan 2010):

    Great story! I will have to try this!

  • Cory Verellen

    Cory Verellen said (9 Feb 2010):

    well done Dave. Thanks for divulging your technique

  • Karen Foto Fiddler

    Karen Foto Fiddler (Deleted) gave props (26 Feb 2010):

    Sounds like a great experiment! VOte!

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